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Like, literally if you took the speaker out of a car, a speaker where it’s maybe four inches in diameter. “Later, that’s what became apparent.After we recorded Rob’s voice, one thing that Bill liked to do is run Rob’s voice through a little speaker. “Rob pretty much wanted a straight-up metal record,” said Martin Bisi, head of BC Studios where White Zombie recorded their 1989 sophomore album Make Them Die Slowly. READ THIS: The 15 best songs with 'fuck' in the title Much of the pressure came from frontman Rob Zombie, whose love of acts like KISS and Slayer was beginning to eclipse the circuitous experimentation of NYC art-rock. Though they formed as a weird, wonky noise rock project informed by New York City’s art scene, White Zombie were ready to transition into something bigger and louder. Packing all the color and weirdness of alternative rock without the mopiness or weak guitars, La Sexorcisto reminded music fans that metal had no boundaries, and at its core would always be rad as fuck. With this record, the artsy New York noise rock band transformed into the muscular California highway metal crew that would change heavy music as the world knew it. 1, the third full-length album by White Zombie. Being a weirdo dirtbag who wanted to smoke some weed and go see a Vincent Price flick was, it seemed, a thing of the past.īut through it all came a shining neon light: La Sexorcisto: Devil Music Vol. Thrash had become long-winded, the satanic fury of yesteryear giving way to mid-paced seven-minute chug-alongs, while death metal felt to many listeners like hostile, unlistenable territory that only the sickest kids wanted to explore. The genre’s image-obsessed mainstream identity was a ghastly shadow of the ground-level hunger that had once endeared it to the world, with former street urchins donning oversized blazers and singing glittery bullshit about girls half their age. By 1992, ‘heavy metal’ had quickly become a dirty word.